Bad Movie Logo
"A website to the detriment of good film"
Custom Search
Welcome, Guest. Please login or register.
Did you miss your activation email?
September 21, 2019, 10:55:09 AM
630803 Posts in 48817 Topics by 6652 Members
Latest Member: Passantidinuasike Forum  |  Information Exchange  |  Reader Comments  |  Masters of the Universe « previous next »
Pages: 1 ... 3 4 [5]
Author Topic: Masters of the Universe  (Read 72743 times)
Dedicated Viewer

Karma: 0
Posts: 14

« Reply #60 on: March 29, 2011, 04:20:20 PM »

This is a really good bad movie and should deserve more green drippies.
New Visitor

Karma: 2
Posts: 8

« Reply #61 on: April 16, 2011, 10:53:48 AM »

Gary Goddard always blames everyone else for the film's various failings, or viewers for daring to point out such obvious failings, but the truth of the matter is that there is a very good reason why he hadn't directed a feature before this, and has never been offered another one since, or even any tv work directing, and that is because he was a very poor director who spent his budget very poorly, and didn't deliver what he promised on time or on budget. And that kind of reputation doesn't go away in Hollyweird.

He whines about a lack of money and a low budget, and yet he had a budget of 17 million dollars in 1987 to play with, and still couldn't deliver all that was required (and pre-costed) in the script, and in fact did so poorly at being able to deliver what was required and do it in time and on budget that Cannon had to inject another 7 million dollars into the budget just to get enough of the required footage so it could be edited into a releasable condition. Goddard complains that they cut his last three days of shooting, what he fails to mention is that those three days were part of the weeks of over-runs that his ineptitude as a director had caused the production. And even with a final budget of 22 million all up, his film still doesn't deliver a whole lot visually and certainly doesn't have any style or energy to it, particularly during the action sequences. Remember, this became, at the time, Cannon's biggest budgeted film ever. It's also partly responsible for the company's later collapse.

By comparison James Cameron had just delivered Aliens shortly before on a budget of only 18 million dollars, after having made Terminator for around 6.5 million. Oliver Stone had made Platoon for only 6.5 million, David Cronenberg delivered The Fly for 15 million, Russell Mulcahy delivered Highlander for 16 million, Star Trek IV had only slightly more than Masters at 24 million, Top Gun was made for around 15 million, A Nightmare on Elm Street 3: Dream Warriors was only 5 million, and The Untouchables cost 20 million. None of these were simple or small films, and yet they survived on their budgets just fine. Thrived even.

Now take a look at Masters of the Universe. A film with no really expensive stars at the time, compared to the casting of other films of the time. Masters looks like a 5-10 million dollar film of the era, at best. And more often looks like something Albert Pyun would squeeze out for less than half that. It basically only had one big set, the inside of Grayskull, and only 5 not overly complex creature effects in Beast Man (a rather simple fursuit with a face appliance), Skeletor (with his skull mask appliance), Saurod (lizard head appliance and some body make up), Karg (another body suit and face appliance), and Gwildor (full 'hero' level face appliance, body suit, sculpted hand appliances, and mechanized ears) who was probably the most complicated. On top of that you had laser effects, that by that time even tv shows like V could replicate easily on a weekly basis, a couple of setpiece flying vehicles, which for the most part are just shells, and the hover board sequence, plus maybe a dozen different dedicated custom costumes, a couple of different mass produced guns, and some other custom weapons (swords, havok staff etc). That Goddard could barely deliver what surprisingly little that we got with 22 million dollars at his disposal in an era when that was a pretty damn large budget, well that is pretty telling in regards to his quality, or lack thereof, as a director. And that he still uses the "we didn't have enough money" excuse and fails to take any responsibility for any of the film's problems to this day is pretty pathetic frankly.

By the way, if you ever get the chance, ask Dolph Lundgren about Goddard. You'll get some pretty choice stories, believe me. And none to Goddard's favor either.

Now don't get me wrong, there's still some cheesy fun to be had with the film, if almost despite itself and all it's various problems, and what it did manage to deliver it did okay at, and I personally have a bit of a soft spot for the film, but even so, Goddard was the captain of this ship, and while his direction was merely mediocre and rather lifeless, his mismanagement of the film was borderline incompetent, and considering the budget that he had at the time he should have been able to deliver a lot more on screen that we ultimately got.
Psycho Circus
B-Movie Kraken

Karma: 1531
Posts: 12049

Shake The Faith

« Reply #62 on: April 16, 2011, 01:44:07 PM »

I'm sorry Crom, I'm not trying to argue with you but I do feel that you are being very hard on Gary Goddard whether he's a competent director or not. It's hard to transfer comics, cartoons or videogames to screen and try to please everyone all the time. Whether you have 17 million or 70 million to spend on a feature, sometimes it just doesn't come off and there are problems. I absolutely love this film, for all it's flaws it's been a big part of my childhood even though I know it could have been miles better. I accept the excuses Gary Goddard has given over the years, but I am also open to the reasons given by others involved with the film. It's 2011 now, not 1987 and Masters Of The Universe is what it is.

New Visitor

Karma: 2
Posts: 8

« Reply #63 on: April 17, 2011, 03:26:37 PM »

Hey, no need to be sorry, you are entitled to your opinion and you are entitled to disagree, that's cool. And I'd never try to convince you otherwise, just as I'd never tell someone they should like a film they don't, or shouldn't like a film that they do. Everyone is entitled to their own distinct tastes and opinions, and the right to share them, so as long as that is done non confrontationally (as it was here) then it's all good.   Cheers

I won't go on and on about it, lest it seem like I have some kind of crazy stalker grudge against Goddard, but over the years I have personally talked to a couple of the cast members, as well as three of four of the crew that worked this show, and few had anything kind to say about the man, his direction, or his management of this production. At best he comes across as someone who was in way over his head, and who lacked the necessary skills, talent, and experience to be able to make good on his promises and ambitions. At worst...well, I won't even say. He ended the show with few friends on that set though, and a reputation that didn't exactly lend itself to picking up more work behind the cameras from that point on, but lets leave it at that.

The film is what it is, and people are free to like it or not, as they see fit. I guess I've just heard and read too much about the making of this film to be ever able to truly see it unhindered from such knowledge, and minus the baggae of it being, in my eyes, such a missed, even botched, opportunity.

But again, to each their own.

Dedicated Viewer

Karma: 0
Posts: 20

« Reply #64 on: December 23, 2011, 03:43:09 AM »

Oh this was just as bad & good as we all remember. I know someone who still has the castle of grey skull chilling in his garage. And I am very happy to still have a picture of myself, wearing a Dick Tracy shirt slurping jello through a straw at the table with... you guessed it, my He-Man toy and his green tiger sitting center view. Everytime I look at  kids' toys now and think, "What in the crap are they teaching kids in these shows today?!?" I think back to He-Man and the "Snorks", "Fraggle Rock" and the "Thundercats" and then shut my trap.
Dedicated Viewer

Karma: 3
Posts: 67


« Reply #65 on: October 04, 2012, 12:08:38 AM »

Courtney Cox working at a chicken restaurant with homoerotic quick shots of an oiled Dolph Lundgren= box office gold.

Im gonna live a rockstar life. Money, b***hes, and fame. Because my mommy said I can do anything I put my mind to.
Pages: 1 ... 3 4 [5] Forum  |  Information Exchange  |  Reader Comments  |  Masters of the Universe « previous next »
    Jump to:  

    RSS Feed Subscribe Subscribe by RSS
    Email Subscribe Subscribe by Email

    Popular Articles
    How To Find A Bad Movie

    The Champions of Justice

    Plan 9 from Outer Space

    Manos, The Hands of Fate

    Podcast: Todd the Convenience Store Clerk

    Faster, Pussycat! Kill! Kill!

    Dragonball: The Magic Begins

    Cool As Ice

    The Educational Archives: Driver's Ed

    Godzilla vs. Monster Zero

    Do you have a zombie plan?

    ImageThe Giant Claw - Slime drop

    Earth is visited by a GIANT ANTIMATTER SPACE BUZZARD! Gawk at the amazingly bad bird puppet, or chuckle over the silly dialog. This is one of the greatest b-movies ever made.

    Lesson Learned:
    • Osmosis: osmosis (oz-mo'sis, os-) n., 1. When a bird eats something.

    Subscribe to and get updates by email:

    HOME B-Movie Reviews Reader Reviews Forum Interviews TV Shows Advertising Information Sideshows Links Contact is owned and operated by Andrew Borntreger. All original content is 1998 - 2014 by its respective author(s). Image, video, and audio files are used in accordance with the Fair Use Law, and are property of the film copyright holders. You may freely link to any page (.html or .php) on this website, but reproduction in any other form must be authorized by the copyright holder.