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For some reason, when it comes to the mainstream the last thing I notice is the music.  Big, sweeping scores from the likes of Howard Shore and John Williams rarely ever stick with me.  However, the music in much smaller movies typically appeals to me as much as anything else I might listen to.  This just popped into my head because I'm sitting here at work with iTunes on random and got a double dose of b-movie music: A track from the completely sweet Richard Band Re-Animator soundtrack followed up with a track from Goblin's Suspiria.

so what are some of your favorite soundtrack/scores?

My all-time of all-time is the John Carpenter soundtrack from Escape From New York.  Silva Screen released a sweet re-issue of the soundtrack a couple of years ago with some of the best dialog tossed in between tracks.  Everybody remembers the Halloween theme more than Escape, but Escape has a LOT more variety than Halloween.

Following close behind is the aforementioned Suspiria soundtrack.  I have a hard time picking from Goblin because I'm a pretty big fan but it always comes down to Deep Red or Suspiria.  Dawn of the Dead close behind whichever one loses that decision.

The Fabio Frizzi score for The Beyond also ranks high with me.  I'm a sucker for synthy/proggy music, I guess.

(http://a896.ac-images.myspacecdn.com/images01/91/l_d5e12d85f04bad5faf6cf65ae93e7be7.jpg)

Anything by this guy:

(http://www.cas.sc.edu/socy/faculty/deflem/Herrmst.jpg)

Of course, it could be argued his cult status was somewhat diminished when the United States Post Office issued a stamp in his honor.  :teddyr:

Some of his lesser know works are among my favorites: HANGOVER SQUARE, WHITE WITCH DOCTOR, THE KENTUCKIAN, and THE NIGHT DIGGER.

Quote from: Raffine on July 24, 2007, 04:19:07 PM
Anything by this guy:

I don't think Herrmann did a less than wonderful score, though my favorites are more obvious choices like THE GHOST AND MRS MUIR, VERTIGO, TAXI DRIVER, MYSTERIOUS ISLAND...

Good call with GOBLIN and Hermann and the score to Carnival of Souls! I LOVE Goblin's! I enjoy the scores  from DEEP RED and DEMONS! And karma Mr.Jones,on a cool thread! You must be psychic,as I was thinking about this same subject yesterday! Weird......

Here are some of my favorites...
.The bluegrass music in 2000 MANIACS
.the sleazy "wah...wah...dig it dig it" stuff in the BRAIN THAT WOULDN'T DIE.
.Ennrio Morricone ( I know I must have spelled that wrong again!)
.the cool bongo music in the WILD ANGELS
.the soundtrack from the RETURN of the LIVING DEAD

          [youtube=425,350] http://www.youtube.com/watch?v=oN8Z7cz34BI

While most various artist soundtracks bore me, the Return of the Living Dead album is dope.  The first time I saw the ads for the movie, Party Time instantly became a favorite song.  45 Grave are like Motley Crue meet The Misfits.  I love it.

I totally forgot about Bernard Herrmann.  Taxi Driver is up there with some of my favorites.  He died right after he finished it.  Talk about going out on a high note.

Can't forget Morricone, either.  The stuff he did for The Thing is some of his best, but no one ever talks about it.

Quote from: RCMerchant on July 24, 2007, 05:42:50 PM
Good call with GOBLIN and Hermann and the score to Carnival of Souls! I LOVE Goblin's! Here are some of my favorites...
Ennrio Morricone ( I know I must have spelled that wrong again!)

Close!  It's Ennio Morricone...
TANGERINE DREAM had some interesting soundtracks, including RISKY BUSINESS and LEGEND. 
The music in CARNIVAL OF SOULS was by GENE MOORE (whoever that was, organist extraordinairre)... don't look at this clip if you haven't looked at the movie...it's just an overwrought trailer (in COLOR) that is of interest only if you've seen the thing (one of my favorite movies...)  "The management has been forced to state: positively no refunds..."  :lookingup:  Oh yeh that makes me want to see it. 
[youtube=425,350]http://www.youtube.com/watch?v=GHci73uu5nI

I need to check out the Goblin s/tk to Deep Red, having just discovered the film. in the film their stuff sounds funky and dark at the same time, its really good.

HIGH-SCHOOL HIGH soundtrack is my favourite of all time...

I love many of the works of Jerry Goldsmith (PLANET OF THE APES, LOGAN'S RUN, THE OMEN, his "Boris Karloff's Thriller" Scores) and  Ron Grainer (THE OMEGA MAN, "Doctor Who", "The  Prisoner") myself.

I'm a big soundtrack junkie, ranging from generic Harry-Gregson Williams-esque work to the classics.  Things like the King Kong score sit very well with me, alongside odd choices like the Fifth Element soundtrack by Eric Serra.

If we are talking scores, I could chat people's heads off, but lately I've been getting into Clint Mansell.  I really enjoyed his work on both Solaris [the newer] and Traffic.  Not classic by any means, but nice all the same.

Beyond that, some lesser known soundtracks like Howard Shore's The Village [crappish movie, great soundtrack] are known to have good rotation at my place. 

There's plenty more on the list, sure, but they're the quick few I'll list right now.  Hermann, Morricone and Elmer Bernstien are some of my top choices just generally though.  David Arnold has done some good work with the Bond soundtracks as well.

Still though, my taste in soundtracks has been ruined by Stan Bush and Vince Di cola with the original Transformers movie soundtrack.  That is so bad its genius.

Damn!  One I totally forgot to mention that gets no love is the all electronic score to Forbidden Planet.  I have a slight tendency to lean toward the avant and this is no exception.  It's all very early electronic, sounds a lot like a theremin in places but is done without synths (hadn't been invented yet).  Definitely check it out for some of the weirdest classic sci-fi music you've ever heard.

I don't pick up many soundtracks.  My favorite of all time has been the Fight Club soundtrack.  I'm not much for techno but what the Dust Bros. did with the music for that film is absolutely amazing. 

Quote from: dean on July 25, 2007, 02:18:28 AM
If we are talking scores, I could chat people's heads off, but lately I've been getting into Clint Mansell.  I really enjoyed his work on both Solaris [the newer] and Traffic.  Not classic by any means, but nice all the same.

I believe I'm right in saying that Clint Mansell used to be in a UK indie band called Pop Will Eat Itself around 89-92 era. I almost went to see them on a few occasions, put off by the fact that thet were terrible! His soundtrack work is completely different. I'm sure its the same guy.

Quote from: depressed crack addict on July 25, 2007, 07:36:36 PM

Quote from: dean on July 25, 2007, 02:18:28 AM
If we are talking scores, I could chat people's heads off, but lately I've been getting into Clint Mansell.  I really enjoyed his work on both Solaris [the newer] and Traffic.  Not classic by any means, but nice all the same.

I believe I'm right in saying that Clint Mansell used to be in a UK indie band called Pop Will Eat Itself around 89-92 era. I almost went to see them on a few occasions, put off by the fact that thet were terrible! His soundtrack work is completely different. I'm sure its the same guy.

Yeah, you're right.  Here's the AllMusic (http://allmusic.com/cg/amg.dll?p=amg&sql=11:dnfwxq8gldae) bio.

^^ yeah, I thought it was, I didn't bother to check because I was sure I knew the name. I will just warn that further investigation into this guy's previous work is not really required because P>W>E>I were not very good, lol. strange how things pan out though, that band were fairly big in the uk for a while, last thing you would think is that some random guy like that would go into film soundtracks... for you U.S. guys this would be something like the equivalent of the bass player from 4-Non-Blondes suddenly doing the soundtrack to Kill Bill or something...maybe not quite like that  but similar. 

Quote from: Raffine on July 24, 2007, 04:19:07 PM
Anything by this guy:

(http://www.cas.sc.edu/socy/faculty/deflem/Herrmst.jpg)

Of course, it could be argued his cult status was somewhat diminished when the United States Post Office issued a stamp in his honor.  :teddyr:

Some of his lesser know works are among my favorites: HANGOVER SQUARE, WHITE WITCH DOCTOR, THE KENTUCKIAN, and THE NIGHT DIGGER.

Ozzymandias speaks: Many people have forgotten that he wrote the opening theme to Have Gun Will Travel and the first season theme to Twilight Zone. Twilight Zone switched to the more familiar theme in the second season and the opening theme for Have Gun Will Travel is overshadowed by the closing them that was added in the second season. The dramatic opening theme music by Hermman just says "Palidin is going to kick some ass."

Ozzymandias has spoken!!!

I'm actually a fan of Pop Will Eat Itself's music. They were way ahead of their time IMO. 

I like some of the stuff from Mean Guns.  I don't think much, if any, of it is original though.  Mambo, mambo!

"This is the Time... This is the Hour... This is...This."

"Hands Up
Vote Doctor Doom, it's the only choice...it's the only choice."

"Ich Bin Ein Auslander"

QuoteOzzymandias speaks: Many people have forgotten that he wrote the opening theme to Have Gun Will Travel and the first season theme to Twilight Zone. Twilight Zone switched to the more familiar theme in the second season and the opening theme for Have Gun Will Travel is overshadowed by the closing them that was added in the second season. The dramatic opening theme music by Hermman just says "Palidin is going to kick some ass."

Ozzymandias has spoken!!!

Raffine has listened!!!

There was a couple of great CDs released a couple of years ago of Herrmann's televison scores and 'stock music' suites, including the complete  Herrmann score for the pilot episode of HGWT. I'd never seen the series, but the "Herrmann Connection" was enough for me to get the first season on DVD. The TV western is definitely not one of my favorite genres, but I did enjoy that Paladin character. Cimarron Strip was another good thoughtful CBS western that's pretty much forgotten these days.

Herrmann also wrote a great deal of stock music for CBS television that cropped up in everything from Gunsmoke to Perry Mason to Lost in Space. If you've seen just about any CBS drama/sci-fi/western series from the 60s or 70s you've probably heard some of Benny's stock cues.   

Ozzymandias speaks: Paladin was created by Sam Rolfe, who also created the Man From U.N.C.L.E. He was supposed to be a James Bond of the old West. This was based on the novels which didn't have the gadgets. Paladin made the TV Guide list of 100 Greatest TV Characters, because he is different than all the others at that time. He is well-educated, well-spoken, works for pay, city dwelling, non-law enforcement and wears black. Unusual for any Western hero.

BTW, the closing theme used later was written by a country singer (aptley named) Johnny Western. He watched the show and wrote the song for fun. He asked Rolfe and CBS if he could get permisson to use the show and character name. Rolfe and star Richard Boone liked it so we that it was adapted for the closing theme. Most people know it because of its inclusion on many TV theme albums and in the movie Stand By Me.


Ozzymandias has spoken!!!

Ah,yes.
Cool character. Would love to have seen him team up with West and Gordon. Nice contrast!