
In a plot quite similar to that of EYES OF THE MUMMY, a white guy visits a Hindu (?) temple and steals a prized artifact. He puts it in a display case in his bedroom, gets paranoid about it, then slowly (slowly) turns into a megalomaniac party animal mad scientist who creates world-saving inventions and then destroys them in front of the press, just to be a wild-and-crazy-guy about it. Finally (SPOILER?) he self-destructs.
Also, FEAR is 75 minutes long and if I didn't make this clear earlier, it is slow. This ain't no rollercoaster sex/home invasion thriller.
Fortunately, though, even in greasepaint, no one stares forebodingly like Conrad Veidt. At the end of the film (post self-destruction) Veidt's spirit leaves his body and walks (slowly, natch) into the rich guy's mansion, through the parlor, up the stairs, up more stairs, through the upstairs hallway... retrieves the artifact... then repeats course all the way out the house and back into his body and Weine shows us every single step of the stroll.
Weine, WTF?