


Quote from: indianasmith on September 07, 2026, 07:53:08 AMQuote from: Rev. Powell on September 06, 2026, 04:43:03 PMQuote from: indianasmith on September 06, 2026, 04:10:31 PMMy weight has dropped from 273 in June to 248 earlier this week! (249 this morning because we had ribs for supper last night, LOL!).
Still, 25 pounds is making a difference. Next stop, 30 pounds down!
This is the one case where I'll say less Indy is a good thing!
Thank you, Rev!
Back down to 248 this morning. Hoping to hold it in the 240's all week and celebrate with a cheeseburger on Friday!
Quote from: Rev. Powell on September 06, 2026, 04:43:03 PMQuote from: indianasmith on September 06, 2026, 04:10:31 PMMy weight has dropped from 273 in June to 248 earlier this week! (249 this morning because we had ribs for supper last night, LOL!).
Still, 25 pounds is making a difference. Next stop, 30 pounds down!
This is the one case where I'll say less Indy is a good thing!
Quote from: Rev. Powell on September 06, 2026, 03:14:18 PMZombie, you can do #101 to make up for DR. NO...
Quote from: M.10rda on August 16, 2026, 05:17:34 PMA FOOL AND HIS MONEY (1912):
This 15-minute silent is often called history's first film w/ an all black (in this case, specifically African-American) cast and was directed by Alice Guy-Blanche, who is often cited as history's first female filmmaker.
Guy-Blanche wasn't black but rather a white (French) woman who'd been making films for 15 years by the time she made this one. She has a huge resume yet most of her catalog is (of course) apparently lost. That's an almost criminal shame - she really knew how to direct actors! 4/5
I can tell you that the feature-length EMPRESS has about 35 minutes of inert romantic melodrama followed by a some pearl-clutching and fainting, a handgun, a speeding car, a s*i*i*e attempt, and then apparently a happy ending. Beyond that, I can only defer to the Letterboxd synopsis and concede that there's probably some mistaken identity and blackmail happening, I guess.
It's possible that extraordinarily well-written intertitles might make THE EMPRESS a much better film, but... I'm dubious. It's also possible that neither FOOL AND HIS MONEY nor THE EMPRESS are good median representations of Guy-Blanche as a craftsperson. She made over a hundred films, I think, and only a handful survive. Maybe we have one of the best and one of the worst, and most of her output was somewhere in the middle. But as for this one - 1.5/5. It's also possible that all of the credit for FOOL AND HIS MONEY belongs to that film's cast and Guy-Blanche was lost w/o good actors!