so presumably that fly-by-night studio just threw buckets of money into the Sunset Strip and then brought out the nets to capture anybody who ran into the street to nab a few bucks.
Cobb (within months of ON THE WATERFRONT) brings a lot of gravitas to his investigating cop role, but he's clearly bored by the project. (At one point he reclines sleepily at his desk and orders an underling to brief him on the case because he's "too busy".) Marvin had already played the heavy in THE BIG HEAT but has the smallest (and silliest) role of the bunch, as an absentminded patrolman who gets knocked out and locked in the gorilla's cage. That leaves Mitchell, historically the weakest actor of the toney bunch, to enjoy the most screen time, including tons of dialogue, some light action, and even a love triangle w/ Bancroft and another dame. I primarily know Mitchell from his (even much worse) flicks from the 70s and 80s, when he was a wizened silver fox
- plus lots of his early 50's credits are nearly invisible ensemble bits - so the full-color GORILLA AT LARGE is something of a revelation as it shows that young Mitchell (besides being only a serviceable actor) was also a weird-looking ginger.......
.......Yes, double-standard time: Redheaded women, hottest entities in all God's Creation, but as for Mitchell and many redheaded men.......
...Makes sense now that Mitch worked a lot more when he turned gray.
The racist iconography is a bummer, but the disapproving look on the gorilla's face is priceless.
2.5/5Quote from: Rev. Powell on Today at 08:07:16 PMI'm seeing it in IMAX a week from today. Did you see it that way or just in the regular theater?