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#1
Good Movies / Re: Recent Viewings, Part 2
Last post by Rev. Powell - Today at 08:52:13 AMNICK THE FEATURE FILM (2013): An indie filmmaker becomes obsessed with completely average Nick and decides to document a day in his life; he's less impressed with Nick's bizarre, egotistically friend Chris, who comes over in the morning for "Waffle Day" and refuses to leave. This no-budget project between college-age friends starts out charming, but drags on mercilessly as Chris' antics grow increasingly wearisome (a game of "Battle Monopoly" goes on endlessly with no punchline). Would have worked at a shorter length. Free on YouTube. 1.5/5.
#3
Bad Movies / Re: 100 *alliterative* movie t...
Last post by bob - Today at 08:27:55 AM68
El Camino: A Breaking Bad Movie
El Camino: A Breaking Bad Movie
#4
Entertainment / Re: What have you been listeni...
Last post by Rev. Powell - Today at 08:15:05 AM
#5
Bad Movies / Re: 100 Historical Movies in O...
Last post by Rev. Powell - Today at 08:13:54 AMOpen to anyone. We need 8 more movies and have 33 years (plus future-set science fiction if needed) to work with.
#6
Bad Movies / Re: 100 *alliterative* movie t...
Last post by Rev. Powell - Today at 08:11:59 AM67. Final Flesh (2009)
#7
Good Movies / Re: Recent Viewings, Part 2
Last post by M.10rda - Today at 07:54:48 AMQUICK MILLIONS (1931):
This mostly forgotten organized crime film does nothing particularly wrong except for doing everything that later, more popular films - SCARFACE, LITTLE CAESAR, ad infinitum - also did, either better or just more famously. It's one distinction is that Spencer Tracy plays the lead mobster, quite against type though according to his strengths as an actor. Tracy was one of the original minimalists or naturalists, in an era where the fashion had been (on stage and in the silents) to strike huge poses with one's body. He employs silences and glares instead of onscreen violence, and he's about as effective as the pedestrian/by-the-book screenplay will allow him to be, but at least he's an interesting counterpoint to Edward G. Robinson and Paul Muni.
There is some surprising action in QUICK MILLIONS - inanimate objects get machinegunned, buildings are damaged and even blown up. The bursts of protection-racket mayhem are a contrast to the slow, almost hypnotic pace of the film, dictated by Tracy's understated performance but also by elliptical direction which sometimes fades out from scenes several long seconds after the last line of dialogue. It's a weird crime film in that regard, but it does (for all its many cliches) probably do a more thorough job illustrating the totality of the racketeering economic model... for what that's worth? There's also two creatively-staged hits in the final act.
3/5 And there's a character whose full name sounds pretty close to my real name, and they say his name over and over for a bit, which gave me a few chuckles. (No, my name isn't actually "Thenardier".)
This mostly forgotten organized crime film does nothing particularly wrong except for doing everything that later, more popular films - SCARFACE, LITTLE CAESAR, ad infinitum - also did, either better or just more famously. It's one distinction is that Spencer Tracy plays the lead mobster, quite against type though according to his strengths as an actor. Tracy was one of the original minimalists or naturalists, in an era where the fashion had been (on stage and in the silents) to strike huge poses with one's body. He employs silences and glares instead of onscreen violence, and he's about as effective as the pedestrian/by-the-book screenplay will allow him to be, but at least he's an interesting counterpoint to Edward G. Robinson and Paul Muni.
There is some surprising action in QUICK MILLIONS - inanimate objects get machinegunned, buildings are damaged and even blown up. The bursts of protection-racket mayhem are a contrast to the slow, almost hypnotic pace of the film, dictated by Tracy's understated performance but also by elliptical direction which sometimes fades out from scenes several long seconds after the last line of dialogue. It's a weird crime film in that regard, but it does (for all its many cliches) probably do a more thorough job illustrating the totality of the racketeering economic model... for what that's worth? There's also two creatively-staged hits in the final act.
3/5 And there's a character whose full name sounds pretty close to my real name, and they say his name over and over for a bit, which gave me a few chuckles. (No, my name isn't actually "Thenardier".)
#8
Bad Movies / Re: 100 *alliterative* movie t...
Last post by zombie no.one - Today at 05:42:15 AM66. GONE GIRL (2014)
#9
Good Movies / Re: Have you seen any South Af...
Last post by Trevor - Today at 04:29:55 AMDocumentaries of note made in or about South Africa:
MAIN REEF ROAD *
LONG NIGHT'S JOURNEY INTO DAY *
IN DARKEST HOLLYWOOD *
BANNED: JOE BULLET *
DISCARDED PEOPLE
THE DUMPING GROUNDS
LAST GRAVE AT DIMBAZA
SOUTH AFRICA THE WHITE LAAGER
* I worked on these.
MAIN REEF ROAD *
LONG NIGHT'S JOURNEY INTO DAY *
IN DARKEST HOLLYWOOD *
BANNED: JOE BULLET *
DISCARDED PEOPLE
THE DUMPING GROUNDS
LAST GRAVE AT DIMBAZA
SOUTH AFRICA THE WHITE LAAGER
* I worked on these.
#10
Bad Movies / Re: The Asylum’s Jurassic Ramp...
Last post by Trevor - Today at 03:02:27 AMQuote from: zombie no.one on Today at 01:06:50 AMQuote from: M.10rda on August 12, 2026, 08:54:18 PMYes, I know, "...star of JURASSIC RAMPAGE". Well, I letterboxd him, and....... I still don't know who Johnny Pacar is!
you know... he's Jimmy and Jenny Pacar's son. brother of Joey Pacar. cousin of Jerry Pacar... his sister is the lovely Julie Pacar... "JP" we all call him (except at family gatherings)
😀😅🐢