ENEMY (2013): Certified weird! " As tightly controlled as a dictatorship and as enigmatic as a tarantula on a gold serving platter, the inscrutable
Enemy evokes a panicky existential dread in the tradition of David Lynch. The final scene will provoke debate for as long as people watch weird movies."
DAWN OF THE PLANET OF THE APES (2014): "Aided by motion capture, Serkis’ powerhouse performance as Caesar is even more impressive this time around and is the most, if not the only, successful collaboration between actor and CGI to date. "-AE
SUGAR HILL (1974): Part of what distinguishes
Sugar Hill is that it isn’t based on a piece of 19th century European literature, but is instead a more distinctly black American narrative which synthesizes elements of Voodoo iconography, fairy tales, and classic b-horror film tropes. It’s occasionally clumsy and highly stylized script offers all of the cliches that you’d hope for in a blaxploitation film."-BE
MIDNIGHT SKATER (2002): "It is a crime that this glorified home movie somehow got onto Netflix, and might accidentally take up a slot people could use to rent a real film."
