Generate Movie Poster with AI (Good or Bad Movie Concept)

[Rev. Powell]

From a real Hal Warren unproduced idea. I don't think Warren could have afforded this production. Hell, I don't think Warren could afford this poster!

[claws]

This is an 80s action concept using Grok's poster-to-video feature. I had another AI draft a 7-second fight choreography prompt for it, and the results were pretty good.
Grok handled the hit physics with a level of realism and natural movement.

[bob]

[claws]

[bob]

made this one with grok

[Rev. Powell]

Cool concept!

[claws]

Thanks. The first one was more of a test. I did an alternative version with new songs. I asked AI to place the songs in a narrative kind of order based on song titles and the movie's plot. I like this version even better:

Proposed Soundtrack Order (Narrative Flow Edition)

1. "Good Times Roll" – The Cars (3:44)

Opening credits. 
A slightly ironic, glossy track to introduce 1979 nightlife, the city's disco glow, and the creeping sense that the "good times" are about to curdle. Perfect for a montage of clubs, neon, and newspaper headlines about the Disco Ripper.

2. "Livin' It Up (Friday Night)" – Bell & James (3:20)

Helen's world before the horror. 
Plays over Helen finishing her shift, grabbing a coffee, and heading out into the humid night. It's upbeat, but we know something's off.

3. "Baby It's You" – Promises (3:49)

The traffic jam begins. 
A soft, flirt‑leaning track as Helen first notices Robert in the Trans Am. Windows down, summer air, a moment of connection.

4. "Driver's Seat" – Sniff 'n' the Tears (3:36)

The flirtation deepens. 
This is the perfect "stuck on the freeway but vibing" song. It has that cool, cruising energy that makes Robert seem charming... until he isn't.

5. "Is It Love You're After?" – Rose Royce (3:50)

The moment before the reveal. 
A disco groove that plays as Helen starts to feel something is off. The title itself is a sly wink — she's definitely not getting love.

6. "The Disco Strangler" – The Eagles (2:46)

The tattoo reveal. The dread hits. 
This is the exact moment the fantasy collapses. The song title is practically a spoiler. It should needle‑drop sharply, maybe even from a nearby car radio.

7. "One Way or Another" – Blondie (3:31)

Helen tries to escape within the jam. 
She's trapped between cars, Robert is watching her, and she's trying to signal the trucker. The stalking energy of the song is perfect.

8. "Under Fire" – Jackie (3:30)

The CB‑radio cat‑and‑mouse. 
Tension builds. The police are on their way. Robert is getting agitated. The night is tightening around her.

9. "Do or Die" – Grace Jones (3:22)

The moment before the transformation. 
Helen steels herself. The sirens are close. Robert steps out of the car. The moonlight hits. The title says it all.

10. "I Was Made for Lovin' You" – KISS (3:57)

The transformation + chaos. 
Hear me out: the disco‑rock pulse is perfect for a werewolf metamorphosis in a traffic jam. It's sexy, dangerous, and unhinged — exactly the tone of a monster ripping through stalled cars under a full moon.