Scott Spiegel's style usually drives me nuts and makes me want to shut the movie off ASAP (like in the case of From Dusk Till Dawn) but I really didn't mind what he did in Intruder.
I fully agree. Spiegel's obsession with unique camera perspectives have come to replace 99% of his shots. In
Intruder, they seem to account for maybe just 10% or so.
On a side note, it was Scott Spiegel that helped get Quentin Tarantino into the movie business. Over lunch, they discussed among other things,
Intruder, which Tarantino adored. The two hit it off and shortly thereafter, Quentin sold his first script:
From Dusk Till Dawn.