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Badmovies.org Forum  |  Movies  |  Good Movies  |  THREE STOOGES COLLECTION (Volume 7: 1952-1954) Widescreen and 3-D! « previous next »
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Author Topic: THREE STOOGES COLLECTION (Volume 7: 1952-1954) Widescreen and 3-D!  (Read 1884 times)
The Burgomaster
Aggravating People Worldwide Since 1964
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« on: December 03, 2009, 07:08:08 PM »
I've been buying the excellent, chronological Three Stooges boxed sets ever sionce they started releasing them.  Today, the newly-released volume 7 arrived in the mail and I was pleasantly surprised to see that:

* Some of the episodes are in widescreen (first time in this format since their original theatrical releases)

*SPOOKS! and PARDON MY BACKFIRE are in both 3-D and 2-D

This is Stooge heaven!
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trekgeezer
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We're all just victims of circumstance
« Reply #1 on: December 06, 2009, 05:34:58 PM »
I'm thinking about getting these, but I really don't care to have anything done after 1946 when Curley was no longer able to perform.  Most of the shorts after that were just remakes of the ones Curley was originally in.  Shemp is a just okay substitute and Joe Besser was contract player forced on Moe and Larry.  Curly Joe DeRita  was at least picked by Larry and Moe.
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The Burgomaster
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« Reply #2 on: December 07, 2009, 03:16:58 PM »
Quote from: Trekgeezer on December 06, 2009, 05:34:58 PM
I'm thinking about getting these, but I really don't care to have anything done after 1946 when Curley was no longer able to perform.  Most of the shorts after that were just remakes of the ones Curley was originally in.  Shemp is a just okay substitute and Joe Besser was contract player forced on Moe and Larry.  Curly Joe DeRita  was at least picked by Larry and Moe.

I agree that the Curly episodes are superior to the others.  But I'm going for the entire collection anyway.  The audio and video quality is excellent.
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Ometiklan
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« Reply #3 on: December 08, 2009, 07:51:12 PM »
I am one of the few Shemp is better than Curly fans out there.
After all He was the original Third Stooge!
So I love this set of course. Smile
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